Publications

Gil Pasternak: (2021) ‘The National is Personal: Domestic Photographs in Israel’s Authorized Digital Heritage.’ In, Gil Pasternak, ed. Photographic Digital Heritage in Cultural Conflicts” (Special Issue). Photography & Culture 14(3): 339-370.

Gil Pasternak: (2021) ‘Photographic Digital Heritage in Cultural Conflicts: A Critical Introduction.’ In, Gil Pasternak, ed. “Photographic Digital Heritage in Cultural Conflicts” (Special Issue). Photography & Culture 14(3): 253-268.

Gil Pasternak: (2020) ‘At Home with “Palestine”: Performing Historical Photographs of the West Bank in Israeli Households.’ In Gil Pasternak, ed. Visioning Israel-Palestine: Encounters at the Cultural Boundaries of Conflict, 210-243. London & New York: Bloomsbury Visual Arts.

Gil Pasternak: (2020) ‘Introduction: Encounters at the Cultural Boundaries of Conflict.’ In Gil Pasternak, ed. Visioning Israel-Palestine: Encounters at the Cultural Boundaries of Conflict, 1-24. London & New York: Bloomsbury Visual Arts.

Gil Pasternak: (2020) ‘Politics and Photography: Being Together, With Photographs.’ In Gil Pasternak, ed. The Handbook of Photography Studies, 214-234. London & New York: Bloomsbury Publishing / Routledge.

Uschi Klein: (2020) Review: DeSouza, A. (2018) How art can be thought: a handbook for change. Durham and London: Duke University Press

Paula Gortázar: 2019. ‘Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work’. Fotocinema19: 101-123. 

Paula Gortázar: 2019. ‘Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89)’. Photography and Culture 12 (2): 151-170.  

Caroline Molloy: (2019) ‘Studio Photography as a conceptual framework,’ in Membrania special issue on Studio Photography (5) 38-47 (ISSN 2463-8501), Fotografija (ISSN 1408-3566) (Fotografija is in ERIH PLUS database) 

Caroline Molloy: (2019) Essay in response to Ex Voto: Alys Tomlinson, 1000 words Issue 30 

Caroline Molloy: (2019) Interview with Indrè Šerytypè, Photomonitor

Caroline Molloy: 2019 Essay: Ex-Voto Alys Tomlinson (1000 words magazine)

Caroline Molloy: 2019 Review: Parallel State Guy Martin (Photomonitor)

Caroline Molloy: 2019 Review: Blight, D. C. (ed.) (2019) The Image of White-ness: Contemporary Photography and Racialization. The Journal of Visual Practice Taylor and Francis. 

Caroline Molloy: 2019 Review: Gartlan, L., Wue, R. (2017) Portraiture and Early Studio Photography in China and Japan. Visual Studies: I.B.Tauris.

Caroline Molloy: 2019 Review Straight lines and Human Intervention, Dafna Talmor, Photomonitor.

Caroline Molloy: Interview with Mark Sealy, 1000words Issue 31 

Caroline Molloy: Review of Some are born to endless night dark matters, Lina Iris Viktor, Photomonitor

Gil Pasternak, ed: (2019) ‘Photography in Transitioning European Communist and Post-Communist Histories’ (Special Issue). Photography & Culture 12(2). 

Gil Pasternak: (2019) ‘Photography in Transitioning European Communist and Post-Communist Histories.’ In Gil Pasternak, ed. ‘Photography in Transitioning European Communist and Post-Communist Histories’ (Special Issue). Photography & Culture 12(2): 139-149. 

Gil Pasternak & Marta Ziętkiewicz: (2019) ‘Making a Home in Poland: Photographic Education and Practices in the Landkentnish Movement.’ IMAGES: A Journal of Jewish Art and Visual Culture 12(1): 151-179.

Gil Pasternak & Marta Ziętkiewicz: (2019) ‘Haunting Legacies: Family and Archival Photographs in Aleksandra Garlicka’s Taxonomy of Polish Society (1985–95).’ In Gil Pasternak, ed. “Photography in Transitioning European Communist and Post-Communist Histories” (Special Issue). Photography & Culture 12(2): 171-201.